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1. #Her spike jonze spanish rent online streaming movie#
2. #Her spike jonze spanish rent online streaming code#

Her is a remarkably ingenious film but, more important, it is a film that transcends its own ingenuity to achieve something akin to wisdom. What makes love real: the lover, the loved one, or the means by which love is conveyed? Indeed, Jonze’s vision of the future is so familiar, so enveloping, that it occasionally feels as if we’re already there. The handheld in which Samantha resides is smooth and elegant, like the vintage cigarette case it is intended to recall. The aesthetic is pleasantly retro: furniture is burnished wood, and men’s pants (in perhaps Jonze’s most idiosyncratic touch) are woolen and high-waisted. His Los Angeles has been verticalized by the addition of exteriors shot in Shanghai, but it is a city of bright colors and soft lighting. The future Jonze has conjured is a warm one as well, rather than some sterile cybernetic dystopia. This is no ordinary computer Theodore has fallen for.

Her voice-breathy, occasionally cracking-warms the entire film. But after filming, Jonze decided to replace Morton with Johansson, and it’s not hard to see why.

#Her spike jonze spanish rent online streaming movie#

The role of Samantha was originally voiced by Samantha Morton, and one can’t help but try to imagine the movie that would have resulted from that casting.

#Her spike jonze spanish rent online streaming code#

Johansson is, if anything, a greater revelation still: Who imagined that, freed from the constraints of physical form, she was capable of such exquisite subtlety? Gentle, playful, easily wounded yet infectious in her enthusiasm, her Samantha is one of the more recognizably human characters of the movie year, binary code or no binary code. Tender and tentative behind round glasses and a heavy moustache, Theodore is the super-ego that was somehow split off the raging id of Phoenix’s performance in last year’s The Master. Meanwhile, Rooney Mara (as his ex-wife) and Amy Adams (as his closest friend) offer Theodore diametrically opposed-though individually persuasive-readings of his relationship with Samantha: a romantic dialectic.Īs Theodore, Phoenix is heartbreaking in his vulnerability. Though the relationship between Theodore and Samantha forms the movie’s central thread, Jonze weaves in a variety of intricate counter-narratives, alternative lenses through which to view his subjects of inquiry: Theodore’s own profession as a Cyrano-for-hire, a blind date gone awry, a videogame pantomiming parenthood, a visit from a sex surrogate that flips all the usual assumptions about what is real and what illusory. Every time it seems that Jonze may have played out the film’s semi-comic premise, he unveils an unexpected wrinkle, some new terrain of the mind or heart to be explored. Though intimate in scope, Her is vast in its ambition. Who imagined that, freed from the constraints of physical form, Scarlett Johansson was capable of such exquisite subtlety? This is no ordinary computer Theodore has fallen for. Before long, Theodore is introducing her as his girlfriend. Over time, Samantha grows and learns, encountering selfhood, discovering her own wants, maturing at warp speed. Hers is the last voice he hears at night and the first he hears in the morning she watches him as he sleeps. He carries the latter around in his shirt pocket so that Samantha’s camera-eye can peek out at the wide world. Samantha is in Theodore’s earpiece, in his handheld.

The love story that gradually unfolds is no less touching for its unorthodox structure.

Samantha is, after all, voiced (brilliantly) by Scarlett Johansson. Theodore powers her up on his computer and at the first sound of her lively purr we can see that he is lost. For Samantha-she chooses the name herself-is also known as OS1, the first artificially intelligent operating system. Or, to be more accurate, he purchases her. “Play a melancholy song,” he commands his ever-present handheld device-and when the chosen melody does not suit, “play a different melancholy song.” Recently divorced, tingling with loneliness, he grasps furtively for connection through phone sex and videogames. Just like our parents, and our parents’ parents.”Ĭlosed off and insecure in his personal life, Theodore pours his romantic self into these letters, loving vicariously as an intermediary for others. (However beautiful, the letters are not handwritten, nor even hand-typed, as keyboards have been banished from this particular future.) “Lying naked beside you in that apartment,” Theodore dictates, “it suddenly hit me that I was a part of this whole larger thing. As he speaks to his computer, words appear on the screen. As the film opens, he has been commissioned to write a love letter from a wife to her husband of 50 years. Joaquin Phoenix stars as Theodore Twombly, a former LA Weekly writer who now works for a firm called.